Notre
Dame
|
||||||
This is a very
amusing band at the 4th release on the French label, and this time we're
not in front of a totally new record; as a matter of fact "Coming
Soon..." was originally released on Halloween 31st Oct '98
on a very small label, and now it's been remixed, the artwork's been
renewed by an extravagant digipack, a poster's been added, and most
of all, 6 unreleased tracks have been added. Talking about the music,
for a start I have got to say we have a very theatrical band, who likes
to use raw death-rattles ("The Bells of Notre Dame"),
Halfordian vocals ("Blacksmith & Co."), female
persuasive trills (for ex. in "Vlad the Impaler"),
a lot of keyboards, and that's why they can occasionally remind of T.O.N..
Notre Dame are proud to show off their eclecticism and unforeseeability
when comes the horrorific "Dracula Sucks", and then
with the rolling and danceable "Ulv"; after an intro
with wolves' howls they still play the card of mixing female vocals
with male Halfordian ones in "Daughter of Darkness",
while "Sisterhood" is a fast short parenthesis, and
HERE they come, the piano and children's disquieting vocals (in my own
conceit nothing can be more worrying than a threatening child, cos it's
just the opposite of what you expect from the symbol of purity and innocence,
and the contrast is that strong), intentionally placed before the electrical
guitar blasts within "Michael", undoubtely the best
song of the CD, deign to become a soundtrack for a serious horror flick.
"Give Blood - Save Lives" pounds again, but it changes
in the 2nd part. The '70's school inaugurated by Alice Cooper, mingled
with the Rocky Horror Picture Show's flavour, and a little black humour
clearly borrowed by the Addams' family characterize "A Misconception
of the French Kiss", before the triumphal end through
"Horrorscope" (not Overkill's cover). I admit I didn't
know Notre Dame, but now I can say this is a weird funny revelation
album that will conquer a bunch of fans, even though it's not destined
to die-hard extreme fans, but after all, who can satisfy everybody's
music hunger? | ||||||