An example of vague, arcane and ancient
art has been depicted for the 3rd time in a more comprehensive way than
before. The quartet from Jerusalem and Bethlehem, now operating separatedly
in Holland, France and the USA, starts with a bunch of songs in which
the tightness is constantly kept by Proscriptor's severe and fast drumming
on a dynamic texture that's not black, nor death, but simply not alienating
extreme metal with some interventions of Near East and Mediterranean
instruments (daff, riqq, darbukka and saz) played by the band themselves
as in "Apkallu Counsel" and the whole "The
Arrival Ritual" - quite Nile-influenced - in order to enrich
their proposal of Mesopotamian Metal devoted to the immortality of mankind;
from Enlil's stolen tablets of fate to Annunaki's golden thrones, "Sphynx"
explores, illuminates and offers the perfect picture painted for pagan
macigal arts from that mystic area where the oldest civilties come from
(whose inheritance, preserved for more than 5,000 years, has been unfortunately
recently ravaged in less than 1 week before careless US soldiers'eyes
after the Iraqi war in Baghdad's archeological museum and National library). | ||||||