Dedicating
their debut
MCD to Dimebag Darrell is not only a form of reverential tribute to
an influential artist but also a strong clue about the US band's stylistic
direction. Only 20 minutes of self recorded music yeah, but totally
professional, booklet and recording included, completed with ripe, sharp
lyrics about the sense of discomfort, isolation and desperation of the
few aware of living in a hypocritical, decaying, unfair and blind Western
society where everyone is invited to the banquet but very few have a
seat assured.
As to the sounds, the songs benefit a large amount of bass sounds to
the detriment of the cymbals, and sometimes the drums themselves occasionally
sound a bit too artificial and consequently unfit to a metal band, even
one like this with a foot in the early 90's Thrash and the other in
2006. That said, the tracks possess a tremendous impact thanks to the
Pantera-like vocals and the structures, sometimes capable of producing
a personal way of arranging, which is already a plus, considering that
this is the official first release of a young band.
The opener "Impaired" stands out owing to a K.O. break
in the middle, although not too original, and drumwork superior to the
average. Excellent entwining of riffs and drum parts in "Tragedy
in the Making"; quite interesting the unexpected central spoken
break followed by maracas guest percussionist Neil Kissack along with
permanent skinbeater Shane Ailey. I know that talking about a Spanish
intrusion can sound like a blasphemy but the 5 spitfires have found
a way to place it far from becoming ridiculous.Then the song evolves
in a Fear Factorian fashion and, in the end, Panterian.
The best vocals - very Hardcore indeed - are placed in the beginning
of "Divulge", rife with more various riffs ranging
from Modern metal to Hard rock; don't worry, it's not a party song,
but one of those destined to break hell loose in a live situation and
home too if accompanied by a couple of beers and whiskey.
The palm of 'most wicked composition' sure goes to "Fall to
Ruins", apocalyptical brutal metalcore with Death metal riffs
on the trail of the Inbreds but more wicked and choking; those who know
me know why it is my favorite out of the 5.
If Pantera still existed and jammed with As I Lay Dying and Terror,
a song like "Too Many Times" would come out, showing
another face of Beyond Agony.
Thru these five songs the yankees were able to explore all of their
musical boundaries, turning out as an act that doesn't like to repeat
itself and is exploiting the positive creative period of the two more
gifted members of the band, lead guitarist Andy Nixon and drummer Shane
Ailey.
I just think fans of the above-mentioned bands couldn't ask an unsigned
band for more and will be satisfied after having spent 8 bucks for this
MCD.
MARKUS GANZHERRLICH - 20th June 2006