Flash
Mag's reviewer Maurice Butler is back with his band after 6 years of
silence, in which are now Death SS' Oleg Smirnoff and ex-Labyrinth's
Frank Andiver along with trustworthy Mass Quake on bass and samples.
Although Maurice states the style played by Anger is a brand-new one
(the so-called disco/death), I partially agree with, since we meet songs
like the obsessive "Finger in Your Ass" and the Obituary-like-riffed
"Fuck off", indeed 2 good songs, unfortunately sounding
similar to what shown by the latest Electrocution some years ago. Very
pleasant are the straight "Change", whose lyrics are
a little confused, but enriched by sinuous samples, and "Blackside",
the best arranged song of the 12, and including well chosen whispered
vocals; that's one of the episodes in which Anger go beyond everything
done before by other bands, achieving a perfect fusion and balance between
disco music and death metal and pushing the limits of experimentation
where nobody or very few in death metal have arrived before.
Some reminiscence of Nailbomb's riffing and vocals can be found in the
bee-introduced "Inside", even if we have much more
here, that are unusual groovy keyboards, just before the minimal "Lady
Violence", featuring disco inserts, but too repetitive; then
we have my fave track, "Petit Paradise"; again interesting
samples for a composition suitable both for a metal show and an electro
club.
After the groans in the title track, putting Anger close to the primemovers
and unreachable masters Pungent Stench, we can relax our ears with "United
States of Satan". Each of these 12 songs is easy and based
on strophes and refrains repeated several times as if they were street
anthems, and the most brutal track, "Walking Down",
where you'll have the privilege to hear Swedish death guitar sounds
soon afterwards followed by rap bases for the first time, before the
closer "Out of Control", presenting some Celtic Frost's
riffing along with some "Chaos A.D." elements, and
a loop consisting of a challenge or a request ('Vi aspettiamo', that
is 'We're waiting for you'.)
Since this CD is the first full-length, it can be accepted some extenuating
circumstance like the low too dirty recording, executed at the King
Studios and Zenith Recordings, and the mixing, often leaving some vocals
too plain and not satisfactory, as if they should be 'reinforced' by
an overdubbing. The artwork has been treated with special attention
and is quite generous to the buyers, a reason more not to burn the CD
and buy an original copy. Yeah, I know the guys have been working hard
and especially Maurice in the last 3 years, I've noticed Oleg's smart
ideas, but some plain pronunciation mistakes and a broken English might
pass unobserved by most of the uneducated Italian listeners, though
they'll be noticed abroad. However this album is not far to be a masterpiece,
because the songs are really good and pleasant to be listened to many
times; probably a remastering could be a good idea...
MARKUS GANZHERRLICH - 20/2/03
Contacts:
www.discodeath.com
Discography:
-In Hate, Violence and Pain" (demo, 1992)
-Malediction (demo, 1996)
-No Compromise (MCD, 1996)
-Chaos (2002)