"The Call of the Witch" turns out to be a short chip of wicked Chris Barnes-like growly vocals reinforced by whispering or ultra-rotten backup vocals.
The bass leads and rules the dynamic "Ancient Aliens", a track which distinguishes itself thanks to riffs and licks more elaborate than the average of the record, though there is room for traditional blastbeats as well.
Even more intricate and bordering Thrash Metal is "Monument to Violence", halfway between Mortification and Tyrant Sin; its strength also lies in the several breakdown riffs and in a long 6-string solo making it instrumental for the most part.
Surprisingly, "I See Them" veers towards the early Napalm Death depurated from Grindcore, and prosecutes with the usual recipe other than a few Jungle Rot-reminiscent structures.
Different to the previous songs, "Edge of Eternity" incorporates a scourging mid-paced riff which is followed by mashing riffs which only Konkhra might be able to match, even if here the putrid growls are constantly far more old school Death Metal than the Danes' ones. A break on the trails of Immolation placed with the aim of increasing tension ensued by another breakdown in the vein of Internal Bleeding are all that the composition offers before going back to the initial pattern. Absolutely delightful are the double vocals (growly and demonic) reinforcing the faded finalè.

Also thanks to raw, ultracompressed and non-modern production, listening to "Immemorial Curse" is similar to making a journey with a time machine to an epoch of demotapes, paper xeroxed zines, and the late 80s/early 90s Death Metal albums. Back then, Death Metal was meant to be a scary way to translate our fears into music, and Dig Me No Grave have succeded in making this jump into the past a pleasant but not nostalgic experience.